2022-05-09
Eric Calloway
Design Dispatch, New York
While attending DJ school can provide valuable skills and networking opportunities, it does not guarantee fame. However, with dedication, perseverance, and a bit of luck, successful DJs have leveraged their talents to gain widespread recognition.
In the music industry, success often seems to be the exclusive domain of a select few. However, for London-based DJ and illustrator Anu Ambasna, the concept of DJ school was an eye-opening revelation. Using watercolours and a healthy dose of satire, Ambasna has crafted a witty critique of the music industry's inaccessibility.
Did you know that DJ School existed? Neither did we, until we stumbled upon it on Google Maps after a fateful night in Leeds. The revelation came as a surprise to Ambasna too, who had initially thought it was just a myth perpetuated by the music industry's elitist clique. However, as they delved deeper into the world of DJ schools, they discovered a complex web of issues that prevent aspiring DJs from breaking into the scene.
Ambasna's hand-painted comic is a clever send-up of the music industry's flaws. With its vibrant watercolours and biting satire, it offers a fresh perspective on the world of DJing. From the exclusivity of top-tier clubs to the crippling costs of equipment, Ambasna tackles it all with wit and charm. Their work serves as a reminder that success in the music industry is not solely the domain of those who have been fortunate enough to stumble upon a DJ school.
Ambasna's comic is more than just a humorous critique – it's also a call to action. By shedding light on the often-overlooked world of DJ schools, Ambasna hopes to inspire aspiring DJs to take matters into their own hands. With determination and hard work, anyone can break into the music industry, regardless of where they come from or what resources they have access to.
Ambasna's comic is a testament to the power of creativity and satire in challenging the status quo. By using art as a medium, Ambasna is able to reach audiences in a way that traditional critique often cannot. The result is a work that is both entertaining and thought-provoking – a true masterpiece of modern music criticism.
